Vittore Carpaccio

Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.


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Vittore Carpaccio St.Augustine in his study oil


St.Augustine in his study
Painting ID::  41207
St.Augustine in his study
mk157 1501-03 Oil on canvas 141x210cm
mk157 1501-03 Oil_on_canvas 141x210cm
   
   
     

Vittore Carpaccio The Meditaion on the Passing oil


The Meditaion on the Passing
Painting ID::  41276
The Meditaion on the Passing
mk161 Tempera on wood
mk161 Tempera_on_wood
   
   
     

Vittore Carpaccio Cure of a possessed man through the patriarch of Grado oil


Cure of a possessed man through the patriarch of Grado
Painting ID::  42637
Cure of a possessed man through the patriarch of Grado
MK169 1494 Cloth 365x389cm
MK169_ 1494_Cloth_365x389cm
   
   
     

Vittore Carpaccio The Departure of Ceyx oil


The Departure of Ceyx
Painting ID::  42919
The Departure of Ceyx
mk170 1495-1500 Oil on spruce 74.9x88.9cm
mk170 1495-1500 Oil_on_spruce 74.9x88.9cm
   
   
     

Vittore Carpaccio Escape to Egypt oil


Escape to Egypt
Painting ID::  53712
Escape to Egypt
mk234 about 1500 72x112cm
mk234_ about_1500_ 72x112cm
   
   
     

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     Vittore Carpaccio
     Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.

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